Download e-book for kindle: A Companion to Literature and Film (Blackwell Companions in by Robert Stam, Alessandra Raengo

By Robert Stam, Alessandra Raengo

A significant other to Literature in movie provides cutting-edge examine on global literature, movie, and the advanced theoretical dating among them. 25 essays by means of foreign specialists hide crucial themes within the examine of literature and picture variations.

* Covers a wide selection of subject matters, together with cultural, thematic, theoretical, and style concerns
* Discusses movie variations from the delivery of cinema to the current day
* Explores a various diversity of titles and genres, together with movie noir, biblical epics, and Italian and chinese language cinema

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Extra resources for A Companion to Literature and Film (Blackwell Companions in Cultural Studies)

Example text

I am keenly aware that most films are more than word and image arts, incorporating elements of music and other art forms as well. However, within the confines of this chapter, I am interested only in word and image dynamics. Bluestone, Novels into Film, p. 211. Ralph Stephenson and J. R. Debrix, The Cinema as Art (London: Penguin, 1978; first published 1965), pp. 199, 202, 200. Most of the chapter on film sound deals with music and nonverbal sound; the five pages on film words do not run continuously.

It was natural that she should shine in society . . she was made to shine there . . 95 Chapter 1 Some later silent films replace such ellipses with scene shots. In The Only Way (a 1926 adaptation of A Tale of Two Cities), as Carton waxes earnest in his courtroom defense of Darnay, his speech is punctuated with scene shots: England hated Evrémonde as much as he loves France! [scene shot] All that a man can do for France, that man has done. [scene shot] He renounced his name, title, wealth, estate – he flung them to the wind [scene shot] and went to earn his living in a strange land.

The concept of a god who is at once One and indivisible is imbricated from the outset in the admonition both against worshiping other gods and against the very medium utilized in worshiping them, to wit any medium generating visual representations. Here, then, we find one of the ancestral sources of the demonization of visual media. The biblical prohibition of graven images, furthermore, comes with a positive corollary: the affirmation of the Holy Word. ” Central to the “covenant” (brith in Hebrew) between God and his Jewish people, for example, is the duty of male circumcision – a ritual of purity and loyalty to God – known as brith mila, or the covenant of the word.

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A Companion to Literature and Film (Blackwell Companions in Cultural Studies) by Robert Stam, Alessandra Raengo

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